Birthed from Arizona’s regaled Ascetic House collective, Body of Light is a dark synth-pop outfit comprised of young brothers Andrew and Alexander Jarson. What began as a vehicle for their exploration of noise and sound during their early teens has evolved into an established production over the last decade, as Body of Light continues to carve out their own style of complex, structured, and moving dancefloor electronics.
Their music is not only individually personal, but drawn from experiences shared between the two brothers – and calls on elements of new wave, freestyle, goth, and techno to create timeless and singular tracks without fear of trend or passing fashion.
On their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling reminder of how important our existence truly is. Haunting keys, swelling pads, and punching rhythms score their work as Alex Jarson presents an alluring and romantic dialogue with confident projection. The title single “Time to Kill” kicks off the album with a merciless signature beat, complimented by distorted sample patterns against an infectious, moving bass groove that invites you to “let the memories fade.” The follow up single “Don’t Pretend” invokes sparkling nostalgia and innocence over a dark and driving beat paired with vintage electronic movements. The haunting “Dangerous”, slows the pace with its pendulum-like rhythm and ominous intonation, falling between a hopeful synth pop ballad and shadowy dirge – a slow dance for the sunrise set.
Produced by Matia Simovich at Infinite Power Studios in Los Angeles and mastered by Josh Bonati, Time to Kill shines with new direction and new intention through lustrous production and innovative songwriting.
When Andrew Clinco (aka Deb Demure) was sitting in his Los Angeles bedroom, listening to the Cocteau Twins and mastering his first album, going back and forth inside the soundbooth bathroom conversion, he didn't expect the response he would receive in return. Later bring Alex Nicolaou (aka Mona D) aboard as the keyboardist, the duo have reinvigorated "The Underground Subculture" music genre with a new chapter in a reminiscence of past bands, but heralding a newly defined gantlet...!!! The Spinglass Hydra